Artist: My Soliloquy

Album Title: Fu3ion

Label: Rare Artist Music

Date of Release: 11 July 2022

I have closely followed the career of Pete Morten ever since I discovered him whilst plying his trade with UK progressive metal band Threshold. Being involved in some of my favourite and most enduring records by one of the best bands within the genre will certainly help with the spotlight. However, in 2017, after a decade in which he played the guitar on both ‘March Of Progress’ (2012) and ‘For The Journey’ (2014), Pete decided that he wanted to focus solely on his own music, and own band, My Soliloquy.

Until now, Pete Morten has released two albums under the My Soliloquy moniker, ‘The Interpreter’ in 2013, followed by ‘Engines Of Gravity’ four years later. And now, in 2022, Pete and My Soliloquy bring us the third instalment, ‘Fu3ion’, this time under his own steam, through his label, Rare Artist Music.

In the spirit of transparency, I do have to declare at this point that I have a friendship with Pete. As I have written in the past, it makes for a difficult review process because I have to constantly question myself and ensure that I am remaining objective with my findings – I do not want to compromise on my integrity, so however much I like the person/people behind the music, I have to remain absolutely honest. If their music stinks, then that’s what I have to report. Fortunately, with a completely clear conscience, I can attest to the complete opposite reality here.

With a noticeable improvement from the debut to the second release, I lavished a score of 9.25 on ‘Engines Of Gravity’. I stand by that score even now. But I am going to have to go even higher here with ‘Fu3ion’ because I am thoroughly impressed with it; it is easily Morten’s best solo material that he has written and performed to date, and that is certainly saying something.

The very first thing that hit me right from the start with ‘Fu3ion’ is that it contains some of the most immediate material that Morten has ever penned. The melodies are big, and when I say ‘big’, I actually mean ‘huge’. There are hooks littered about this record like no-one’s business, something that pleases me greatly. However, if you are a fan of music that’s more progressive and less melodic, you might not end up with the same concluding thoughts as I. That’s not to say that ‘Fu3ion’ is a straight-up melodic metal album, because it isn’t. There is still plenty of prog complexity to be heard, as well as lots of variety. Some of the complexity is very subtle, some of it quite deceptive, but like some of my favourites in the genre, Kingcrow for example, just because it doesn’t sound complicated doesn’t mean that it isn’t.

As I understand it, this more immediate approach to the music on this album was completely deliberate from Pete Morten. And if that was his end game, then he has well and truly succeeded with ‘Fu3ion’. The multi-instrumentalist who handled all guitars, bass, keys, and vocals, not to mention the artwork and production alongside Rob Aubrey (Transatlantic, IQ, Big Big Train, Spock’s Beard) is joined on this venture by his ex-colleague, Threshold’s Johanne James on the drums. It makes for a winning partnership here and reinforces the occasional hint of Threshold within the music on this album. For the avoidance of doubt, this is not a bad thing at all.

‘Fu3ion’ opens with ‘Triunion’, an introductory piece that is ushered in by bold synth sounds and a slow-paced but resolute drumbeat from James. The sounds intensify with a dramatic, cinematic feel, overlaid by the unmistakeable voice of Pete Morten meting out the minimal lyrics in mantra-like style. In terms of building the tension, it’s an excellent way to begin the record.

For me, as interesting as the first track is, it’s in the follow-up, ‘Kingship’ when the magic hits. And it hits me incredibly hard, with the gloriously melodic and powerful chorus hitting a sweet spot with me and resonating so strongly that I get chills and goosebumps almost every time it kicks in. And a lot of this has to do with the soaring, emotional vocals of Morten that sound brilliant here. But the remainder of the song isn’t bad either to put it bluntly. The bass playing is a particularly ear-catching aspect of the song for a start, standing out within a high-tempo energetic intro that also features melodic keys and chunky guitars to create something of a power metal/prog fusion.

You have to back up a great opening song with further high quality though, and that’s exactly what happens here, with track after track delivering something beguiling and thoroughly engaging to listen to. The intro to ‘Mind Storms’ is the kind of output that gets my blood pumping, as it is an epic, melodic affair, with thunderous drumming from James and muscular guitar tones to underline the properly metallic credentials of My Soliloquy. The ensuing verse takes things down a notch but in so doing creates great dynamics, as it’s an atmospheric-led section that deliberately builds to unleash a reprise of the intro as the captivating chorus, so majestic in its sprawling glory. With Pete Morten at the helm, expect some technically adept but engaging lead solos too, with this being one of the most striking to my ears.

I can’t possibly continue to describe each of the ten tracks (twelve if you include the bonus songs that feature as part of the limited-edition version) because if I did, it’d take longer to read than it would to listen to the entire record. As such, allow me to give you more of a flavour of what you can expect as you delve further into ‘Fu3ion’, starting with the shorter, punchier, and slightly heavier ‘The Great Polarity’ which is no less catchy, thanks to a stomping pace and incisive chorus, laced with some great lead guitar flamboyance.

‘Here In The House Of I’ by contrast, is immediately one of the most progressive sounding songs on the album, dominated in the early stages by some arresting synth embellishments and a really nice insistent riff. But once again, I’m floored by the chorus, another thing of impressive beauty, that materialises almost unexpectedly out of nowhere, from within a much more robust, slightly darker and heavy framework, full of drama and intrigue.

It can’t get better, though, can it? Well that depends on your point of view, but ‘Office Of Imaginings’, a near nine-minute monster certainly tries its best. After a more atmospheric and foreboding intro, I’m covered from head to toe in goosebumps once again as Morten hits us with yet another wondrous chorus where vocals and lead guitar lines combine in scintillating fashion not for the first time. I love the way that the song takes its time to get right under the skin, the dense atmospheres and palpable emotion gradually seeping into the listener almost insidiously until the point that you realise just how invested you are with the song as a whole. If that wasn’t enough, Johanne James also adds a little of his rapping talents, but don’t worry, Fred Durst this is not, thankfully, far from it.

‘Interlocuter’ is a lovely change of pace; a shorter track that’s predominantly acoustic guitars, and vocals, with some orchestral style synths and sparce drumming for added depth. That is, until the halfway mark, when a full-on symphonic metal ballad is unleashed in handsome fashion. And then there’s ‘Bury Your Dead’ which, as the title may suggest, is arguably the heaviest song on the album, full of beefy, no-nonsense riffs at its heart, but with some incredibly bold synths in places too, as well as some cracking twists and turns in true prog fashion.

According to the artist himself, the album has been inspired by a best-selling trilogy of books. I have my theories, but I shall keep them to myself so that when you listen, because listen you will, you can form your own theories. But whether I am right or wrong, it doesn’t matter one iota because the music alone is enough to satisfy all my progressive and melodic cravings. ‘Fu3ion’ is an absolute must-have for all like-minded prog fans because it sees the talented, humble, and genuinely lovely Pete Morten at the very top of his game in all respects. I know that the music world is often fickle and unfair, but for once I hope that fairness prevails because if it does, it will mean that Pete Morten and My Soliloquy will achieve the recognition that they so fully deserve. ‘Fu3ion’ is utterly brilliant, simple as.

The Score of Much Metal: 96%

Check out my other 2022 reviews here:

Pestilent Hex – The Ashen Abhorrence

Porcupine Tree – Closure / Continuation

Conjurer – Páthos

Ironflame – Where Madness Dwells

Horizon Ignited – Towards The Dying Lands

Municipal Waste – Electrified Brain

Paganizer – Behind The Macabre

Philosophobia – Philosophobia

Darkane – Inhuman Spirits

Exocrine – The Hybrid Suns

Fallen Sanctuary – Terranova

Deathwhite – Grey Everlasting

Charlie Griffiths – Tiktaalika

Seven Kingdoms – Zenith

Brutta – Brutta

White Ward – False Light

Winds Of Tragedy – As Time Drifts Away

Tim Bowness – Butterfly Mind

Denouncement Pyre – Forever Burning

Truent – Through The Vale Of Earthly Torment

Wind Rose – Warfront

Kardashev – Liminal Rite

Artificial Brain -Artificial Brain

Seventh Wonder – The Testament

Kreator – Hate Über Alles

All Things Fallen – Shadow Way

Def Leppard – Diamond Star Halos

Lord Belial – Rapture

Buried Realm – Buried Realm

Stiriah – …Of Light

Remains Of Destruction – New Dawn

Crematory – Inglorious Darkness

IATT – Magnum Opus

Iris Divine – Mercurial

Decapitated – Cancer Culture

Bekmørk – The Path Nocturnal

Septic Flesh – Modern Primitive

Blut Aus Nord – Disharmonium – Undreamable Abysses

Drift Into Black – Earthtorn

Spheric Universe Experience – Back Home

Outshine – The Awakening

Cosmic Putrefaction – Crepuscular Dirge For The Blessed Ones

Zero Hour – Agenda 21

Scitalis – Doomed Before Time

Morgue Supplier – Inevitability

Visions Of Atlantis – Pirates

Evergrey – A Heartless Portrait (The Orphean Testament)

OU – One

Haunter – Discarnate Ails

Aara – Triade II: Hemera

Pure Reason Revolution – Above Cirrus

Demonical – Mass Destroyer

I Am The Night – While The Gods Are Sleeping

Haunted By Silhouettes – No Man Isle

Delvoid – Swarmlife

LionSoul – A Pledge To Darkness

Watain – The Agony And Ecstasy Of Watain

Dischordia – Triptych

Dragonbreed – Necrohedron

Audrey Horne – Devil’s Bell

Vanum – Legend

Stone Broken – Revelation

Radiant – Written By Life

Skull Fist – Paid In Full

Hurakan – Via Aeturna

Incandescence – Le Coeur De L’Homme

Imminent Sonic Destruction – The Sun Will Always Set

Monuments – In Stasis

Soledad – XIII

Viande – L’abime dévore les âmes

Credic – Vermillion Oceans

Postcards From New Zealand – Burn, Witch, Burn

Darkher – The Buried Storm

Treat – The Endgame

Bjørn Riis – Everything To Everyone

Destruction – Diabolical

Et Moriemur – Tamashii No Yama

Angel Nation – Antares

Wolf – Shadowland

Denali – Denali EP

Centinex – The Pestilence EP

Meshuggah – Immutable

Chapter Of Hate – Bloodsoaked Decadence EP

Ancient Settlers – Our Last Eclipse

Tranzat – Ouh La La

Playgrounded – The Death Of Death

Father Befouled – Crowned In Veneficum

Abbath – Dread Reaver

PreHistoric Animals – The Magical Mystery Machine (Chapter 2)

Kvaen – The Great Below

Michael Romeo – War Of The Worlds, Part 2

Dark Funeral – We Are The Apocalypse

Carmeria – Advenae

Agathodaimon – The Seven

Moonlight Haze – Animus

Hellbore – Panopticon

Konvent – Call Down The Sun

Idol Of Fear – Trespasser

The Midgard Project – The Great Divide

Threads Of Fate – The Cold Embrace Of The Light

Arkaik – Labyrinth Of Hungry Ghosts

New Horizon – Gate Of The Gods

Cailleach Calling – Dreams Of Fragmentation

Tundra – A Darkening Sky

Sylvaine – Nova

Hath – All That Was Promised

Sabaton – The War To End All Wars

Kuolemanlaakso – Kuusumu

Oh Hiroshima – Myriad

Godless Truth – Godless Truth

Shape Of Despair – Return To The Void

Eight Bells – Legacy Of Ruin

Embryonic Devourment – Heresy Of The Highest Order

Serious Black – Vengeance Is Mine

Allegaeon – Damnum

HammerFall – Hammer Of Dawn

Immolation – Acts Of God

Veonity – Elements Of Power

Nightrage – Abyss Rising

Arjen Anthony Lucassen’s Star One – Revel In Time

Pure Wrath – Hymn To The Woeful Hearts

Dagoba – By Night

The Last Of Lucy – Moksha

Arð – Take Up My Bones

Embryonic Autopsy – Prophecies Of The Conjoined

The Devils Of Loudun – Escaping Eternity

Cult Of Luna – The Long Road North

WAIT – The End Of Noise

Abysmal Dawn – Nightmare Frontier

Amorphis – Halo

Nordic Giants – Sybiosis

Persefone – Metanoia

Vorga – Striving Toward Oblivion

Mystic Circle – Mystic Circle

Nasson – Scars

Burned In Effigy – Rex Mortem

Silent Skies – Nectar

Celeste – Assassine(s)

Abyssus – Death Revival

SOM – The Shape Of Everything

Ashes Of Ares – Emperors And Fools

Beriedir – AQVA

Lalu – Paint The Sky

Nocturna – Daughters Of The Night

Battle Beast – Circus Of Doom

Lee McKinney – In The Light Of Knowledge

Descent – Order Of Chaos

Aethereus – Leiden

Toundra – Hex

Ilium – Quantum Evolution Event EP

Power Paladin – With The Magic Of Windfyre Steel

Necrophagous – In Chaos Ascend

Infected Rain – Ecdysis

Wilderun – Epigone

You can also check out my other reviews from previous years right here:

2021 reviews

2020 reviews

2019 reviews
2018 reviews
2017 reviews
2016 reviews
2015 reviews


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