Artist: Vomit Forth

Album Title: Seething Malevolence

Label: Century Media Records

Date of Release: 8 July 2022

We’ve all been there – you wait for someone to pass you in the supermarket, and they blank you; you’re cut up by another driver on the road; someone acts in an antisocial manner on public transport. Well, instead of stooping to their level and acting inappropriately, I suggest you get hold of a copy of ‘Seething Malevolence’ because it is the utterly perfect soundtrack to help channel your rage in a much more constructive manner. Lay back on a sofa in a darkened room and with headphones or start a one-person mosh pit in your living room, whatever floats your boat. Either way, it’ll help with that pent up anger inside I can tell you. Your neighbours might not agree, especially with the latter option, but I think it’s a splendid idea quite honestly.

Hailing from Connecticut on the US East Coast, Vomit Forth is comprised of vocalist Kane Gelaznik, bassist Tyler Bidwell, drummer Nick Herrmann, and guitarist Ricky Bravall. They have built up a name for themselves in the death metal underground since their reasonably recent inception, releasing two EPs, ‘Inherent Laceration’ in 2018, followed by ‘Northeastern Deprivation’ the following year. Bookended by a couple of demos, their name and reputation caught the attention of Century Media Records and so we’re now presented with the quartet’s debut full-length album, ‘Seething Malevolence’.

The title of the record is well-placed too, because this album is about as disgustingly vile and malevolent as it is possible to be whilst still plundering the genre of death metal. Mind you, Vomit Forth are intent on demonstrating that they are more than just a brutal, uncompromising death metal band, as they lace their music with other influences and sounds in order to create something just a little bit different. To the casual observer, and me on a first listen, you could be mistaken for thinking that ‘Seething Malevolence’ is a 29-minute slab of thunderously heavy, bruising, and menacing riff-obsessed death metal, where there’s no space for frills, bells, or whistles, just cranium-busting aggression and groove. To an extent, that’s true and when you’re in the mood for it, there is definitely nothing wrong with that.

But, if you’re prepared to be constantly battered by repeated spins of ‘Seething Malevolence’, you begin to realise that there is more going on than you first thought. I’m not sufficiently well acquainted with the East Coast death metal scene to name drop bands at will, but the music here seems to fit the mould pretty well whilst adding a few nuances for good measure. For a start, I hear forays into grindcore ferocity at points, as well as deathcore slams and breakdowns, plus the band aren’t afraid to utilise electronic sounds on occasion too. And whilst I’m not normally a fan of the ‘core’ elements, it seems to work here, perhaps just because the music overall is just so filthy and violent.

To underline the band’s desire to try a few new things within their music, the opening track, ‘Untitled’ is an unnerving piece of brooding noise/ambience, composed by Vatican Shadow’s Prurient (Ian Dominick) after he reached out to Vomit Forth personally. It both fits well with what’s to come, and acts as a surprising beginning to the record. Either way, I have grown to quite like it, as brief as it is. And happily, there is a continuation of the opener which closes out the last couple of minutes of ‘Pious Killing Floor’ and indeed the entire album. In so doing, the album is bookended by the minimal sounds of what feels like a suspenseful horror film.

In between though, Vomit Forth deliver nine and a half blistering tracks of savagery that essentially bash my skull in with a meat cleaver, beginning with the ultra-sadistic and weighty slab of death entitled ‘Eucharist Intact’. The guitars sound like slabs of granite being thrown at your ears, whilst the drums and bass shake the foundations with a thunderous, yet dextrous attack. The guttural vocals meanwhile, gurgle and growl impressively, occasionally plummeting to depths that feel like they should be impossible to reach. The song manages to sound unbelievably extreme, but also groovy as hell, with some haunting sounds at the death to increase the sense of unease.

The groovy riffs continue from the outset of ‘Pain Tolerance’, as it lurches forward with all the subtlety of a hand grenade thrust down your trousers. The slams that I’d normally bemoan here actually enhance the track, whilst the sounds of agonised screams in the background towards the end only add to the evil nature of the music that I find myself listening to here.

Pinched harmonics and an increased pace signal the onslaught of ‘Tortured Sacrament’, although once again, we suddenly find ourselves in the midst of a stomping behemoth as the foot is applied effectively to the brake pedal to completely alter the dynamics of the song. The only thing that devalues the composition is the slightly lazy fadeout at the end.

‘Unrecognizable’ is a personal favourite as it is a little longer, nearly hitting the dizzy heights of four minutes. In that time, the quartet once again toy with the listener by mixing up the frenzied, speedy charge with sections of slower groove. We’re even treated to a gloriously dirty and vaguely melodic lead guitar solo which I thoroughly enjoy but then find myself bemoaning the lack of solos elsewhere. Double-edged sword.

The title track offers something a little different, as Kane Gelaznik experiments with higher-pitched, black metal-esque rasps, as well as a slightly cleaner tone where you can almost hear the words that he is spitting out with feverish intent. The song also offers a little more by way of overt melody, or at least a slightly more immediate hue, as ‘melody’ seems completely the wrong descriptor here.

Meanwhile, ‘Severely Wounded’ is a two-minute blast of sheer unadulterated power that sees the vocals veering into grindcore ‘pig squealing’ realms, whilst ‘Carniverous Incantation’ has a twisted, almost progressive feel to the off-kilter riffing unless I am gravely mistaken.

I still get the feeling that there is more to come from Vomit Forth in the years ahead, that perhaps the material on this debut album is merely scratching the surface. Only time will tell on that front. In the here and now, it is very difficult for me to reach anything other than a positive conclusion. It may last for less than half an hour, but there is so much packed into ‘Seething Malevolence’ that you never feel short-changed. And given how extreme the music undoubtedly is, any longer and the effect and intensity of the output may have suffered. As it is, I feel wounded and violated, but in a good way thanks to ‘Seething Malevolence’, the debut long-player from Vomit Forth.

The Score of Much Metal: 89%

Check out my other 2022 reviews here:

Greylotus – Downfall

My Soliloquy – Fu3ion

Pestilent Hex – The Ashen Abhorrence

Porcupine Tree – Closure / Continuation

Conjurer – Páthos

Ironflame – Where Madness Dwells

Horizon Ignited – Towards The Dying Lands

Municipal Waste – Electrified Brain

Paganizer – Behind The Macabre

Philosophobia – Philosophobia

Darkane – Inhuman Spirits

Exocrine – The Hybrid Suns

Fallen Sanctuary – Terranova

Deathwhite – Grey Everlasting

Charlie Griffiths – Tiktaalika

Seven Kingdoms – Zenith

Brutta – Brutta

White Ward – False Light

Winds Of Tragedy – As Time Drifts Away

Tim Bowness – Butterfly Mind

Denouncement Pyre – Forever Burning

Truent – Through The Vale Of Earthly Torment

Wind Rose – Warfront

Kardashev – Liminal Rite

Artificial Brain -Artificial Brain

Seventh Wonder – The Testament

Kreator – Hate Über Alles

All Things Fallen – Shadow Way

Def Leppard – Diamond Star Halos

Lord Belial – Rapture

Buried Realm – Buried Realm

Stiriah – …Of Light

Remains Of Destruction – New Dawn

Crematory – Inglorious Darkness

IATT – Magnum Opus

Iris Divine – Mercurial

Decapitated – Cancer Culture

Bekmørk – The Path Nocturnal

Septic Flesh – Modern Primitive

Blut Aus Nord – Disharmonium – Undreamable Abysses

Drift Into Black – Earthtorn

Spheric Universe Experience – Back Home

Outshine – The Awakening

Cosmic Putrefaction – Crepuscular Dirge For The Blessed Ones

Zero Hour – Agenda 21

Scitalis – Doomed Before Time

Morgue Supplier – Inevitability

Visions Of Atlantis – Pirates

Evergrey – A Heartless Portrait (The Orphean Testament)

OU – One

Haunter – Discarnate Ails

Aara – Triade II: Hemera

Pure Reason Revolution – Above Cirrus

Demonical – Mass Destroyer

I Am The Night – While The Gods Are Sleeping

Haunted By Silhouettes – No Man Isle

Delvoid – Swarmlife

LionSoul – A Pledge To Darkness

Watain – The Agony And Ecstasy Of Watain

Dischordia – Triptych

Dragonbreed – Necrohedron

Audrey Horne – Devil’s Bell

Vanum – Legend

Stone Broken – Revelation

Radiant – Written By Life

Skull Fist – Paid In Full

Hurakan – Via Aeturna

Incandescence – Le Coeur De L’Homme

Imminent Sonic Destruction – The Sun Will Always Set

Monuments – In Stasis

Soledad – XIII

Viande – L’abime dévore les âmes

Credic – Vermillion Oceans

Postcards From New Zealand – Burn, Witch, Burn

Darkher – The Buried Storm

Treat – The Endgame

Bjørn Riis – Everything To Everyone

Destruction – Diabolical

Et Moriemur – Tamashii No Yama

Angel Nation – Antares

Wolf – Shadowland

Denali – Denali EP

Centinex – The Pestilence EP

Meshuggah – Immutable

Chapter Of Hate – Bloodsoaked Decadence EP

Ancient Settlers – Our Last Eclipse

Tranzat – Ouh La La

Playgrounded – The Death Of Death

Father Befouled – Crowned In Veneficum

Abbath – Dread Reaver

PreHistoric Animals – The Magical Mystery Machine (Chapter 2)

Kvaen – The Great Below

Michael Romeo – War Of The Worlds, Part 2

Dark Funeral – We Are The Apocalypse

Carmeria – Advenae

Agathodaimon – The Seven

Moonlight Haze – Animus

Hellbore – Panopticon

Konvent – Call Down The Sun

Idol Of Fear – Trespasser

The Midgard Project – The Great Divide

Threads Of Fate – The Cold Embrace Of The Light

Arkaik – Labyrinth Of Hungry Ghosts

New Horizon – Gate Of The Gods

Cailleach Calling – Dreams Of Fragmentation

Tundra – A Darkening Sky

Sylvaine – Nova

Hath – All That Was Promised

Sabaton – The War To End All Wars

Kuolemanlaakso – Kuusumu

Oh Hiroshima – Myriad

Godless Truth – Godless Truth

Shape Of Despair – Return To The Void

Eight Bells – Legacy Of Ruin

Embryonic Devourment – Heresy Of The Highest Order

Serious Black – Vengeance Is Mine

Allegaeon – Damnum

HammerFall – Hammer Of Dawn

Immolation – Acts Of God

Veonity – Elements Of Power

Nightrage – Abyss Rising

Arjen Anthony Lucassen’s Star One – Revel In Time

Pure Wrath – Hymn To The Woeful Hearts

Dagoba – By Night

The Last Of Lucy – Moksha

Arð – Take Up My Bones

Embryonic Autopsy – Prophecies Of The Conjoined

The Devils Of Loudun – Escaping Eternity

Cult Of Luna – The Long Road North

WAIT – The End Of Noise

Abysmal Dawn – Nightmare Frontier

Amorphis – Halo

Nordic Giants – Sybiosis

Persefone – Metanoia

Vorga – Striving Toward Oblivion

Mystic Circle – Mystic Circle

Nasson – Scars

Burned In Effigy – Rex Mortem

Silent Skies – Nectar

Celeste – Assassine(s)

Abyssus – Death Revival

SOM – The Shape Of Everything

Ashes Of Ares – Emperors And Fools

Beriedir – AQVA

Lalu – Paint The Sky

Nocturna – Daughters Of The Night

Battle Beast – Circus Of Doom

Lee McKinney – In The Light Of Knowledge

Descent – Order Of Chaos

Aethereus – Leiden

Toundra – Hex

Ilium – Quantum Evolution Event EP

Power Paladin – With The Magic Of Windfyre Steel

Necrophagous – In Chaos Ascend

Infected Rain – Ecdysis

Wilderun – Epigone

You can also check out my other reviews from previous years right here:

2021 reviews

2020 reviews

2019 reviews
2018 reviews
2017 reviews
2016 reviews
2015 reviews


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