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Artist: Spiritual Beggars

Album Title: Sunrise To Sundown

Label: Inside Out Records

Date of Release: 18 March 2016

If you’re looking for a musical experience to surprise you and offer something completely different from what has gone before, I wouldn’t recommend Spiritual Beggars to you. Theirs is not a blueprint that seeks to challenge listeners or toy too much with the status quo. However, it is almost certainly for these very reasons that Spiritual Beggars are so popular and enjoy an ever-growing cult-like fan base. That and the musicians involved, of course. Oh, and the consistent quality of the music doesn’t do any harm either.

Spiritual Beggars were formed over 20 years ago by Arch Enemy six-stringer Michael Amott and in 2016 is joined by an impressive cast, namely vocalist Apollo Papathanasio (ex-Firewind), bassist Sharlee D’Angelo (Arch Enemy), keyboardist Per Wiberg (ex-Opeth) and drummer Ludwig Witt (Grand Magus). It is a pretty stable line-up too, with only D’Angelo and Apollo joining since the turn of the milennium. And even for newest member Apollo, ‘Sunrise To Sundown’ represents his third outing behind the mic.

In those 20-plus years, Spiritual Beggars have managed to put out eight records, with ‘Sunrise To Sundown’ being the ninth. Not a bad feat when you consider that Spiritual Beggars is not the main day job for Amott. It clearly speaks volumes for the love and affection the guitarist, and indeed all the musicians, have for this band and the music that Spiritual Beggars produces.

On that score, what you get with Spiritual Beggars is an undeniable homage to the 70s, albeit with a nod or two to the modern day. The order of the day here is therefore another hefty slice of vintage heavy stoner rock with plenty of blues and psychedelic overtones. On paper, this kind of music isn’t something that I’d normally gravitate towards but ever since developing a soft spot for fourth album ‘Ad Astra’ several years ago, I always like to delve into what Spiritual Beggars have to offer.

Photo credit: Masa Noda

Photo credit: Masa Noda

I must admit that I wasn’t the biggest fan of the altogether more sludgy sound of this album’s predecessor, ‘Earth Blues’ but with ‘Sunrise To Sundown’, the band appear to be back on track somewhat and I really enjoy the output of this record.

Those familiar with Arch Enemy will instantly recognize the tones of Michael Amott’s guitar, even in this setting as opposed to the more melodeath trappings of Arch Enemy. As you might expect, Spiritual Beggars is not the vehicle for his blistering lead breaks and intense shredding. However, it is the perfect place for some great mid-tempo, chunky riffs and some soulful and melodic lead embellishments. On that score, ‘Sunrise To Sundown’ scores highly with several tracks offering something tasty in those departments. ‘Hard Road’ instantly springs to mind as the natural example, as it features a wonderfully satisfying central riff and some really rich lead guitar work including one of the more self-indulgent lead solos on the album.

To these ears, this record also ups the ante in terms of the choruses, with several offering huge hooks and powerful melodies to get the aural party started. The opening title track is utterly addictive for example, as is ‘What Doesn’t Kill You’, which underlines the power and rich tones of vocalist Apollo, without doubt the ideal fit for this band.

Having opened this review by suggesting that Spiritual Beggars thrives on familiarity, I will suggest somewhat perversely that ‘Sunrise To Sundown’ actually offers listeners a little more than normal in terms of inter-record variety. This could, in part, be down to the stop-start nature of the recording in between other priorities and the fact that more members of the band stepped up to write the material on the album, most notably drummer Witt.

Whatever the reason, the result is that ‘Lonely Freedom’ has a much more dreamlike, ethereal feel, ‘Still Hunter’ really hones in on the blues influences and the mid-section to ‘No Man’s Land’ is pure 70s prog where the guitars take a back seat to allow the keyboards and effect-laden vocals to take centre stage. ‘I Turn To Stone’, however, is one of the more ear-catching tracks as it has a more pronounced rhythmic spine dominated by the drums, exuding with it an altogether darker tone.

Fundamentally, I enjoy ‘Sunrise To Sundown’ a lot more than I was expecting, to the point where I am returning to it much more frequently than I ever anticipated. In short, Spiritual Beggars have created an album that harks back to a classic era of rock music but at the same time have blended it with a modern richness and vibrancy which is a pleasure to listen to.

The Score Of Much Metal: 8.0

[youtube https://www.youtube.com/watch?v=hhl5aEW4rVs&w=560&h=315]

If you’ve enjoyed this review, check out my others right here:

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